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10.
ACT II
FADE IN:
INT. - NORTH FORK JAIL - DAY
PALADIN is in a CELL. MCCAIN and MICAH are NEARBY, one sitting, one standing.
MCCAIN is EXAMINING PALADIN'S GUN.
MICAH
Gunfighter,
North Fork's a quiet,
friendly
little town.
MCCAIN
And
we aim to keep it that way.
PALADIN
(laughs,
then serious)
First
of all, I'm not a gunfighter...
and second,
I suggest you consult a
dictionary for the definition of
"friendly." Arresting a man without
a real charge... you call that friendly?
MICAH
I'd
call attempted kidnapping a charge.
PALADIN
Well,
that's quite an escalation,
marshal.... Now how many times do I
have to repeat this? That phony minister
is wanted by the federal government!
There is a bounty on his head that--
MCCAIN
(interrupting)
Is
that what you are-- a bounty hunter?
ANGLE ON PALADIN
HE LOOKS with CONSIDERABLE ANNOYANCE at the two MEN. HE REACHES into HIS GUNBELT,
removes a BUSINESS CARD and HOLDS IT OUT between the BARS of his CELL.
11.
ANOTHER ANGLE
As MICAH WALKS OVER to RETRIEVE the CARD.
INSERT - THE CARD
With standard MUSICAL BACKGROUND.
BACK TO SHOT
MICAH MOVES OVER to MCCAIN and GIVES him the CARD.
ANOTHER ANGLE
MCCAIN
So,
you are a gunfighter.
PALADIN
(slowly, deliberately)
I
am a businessman-- who sometimes
uses
his gun. I was on my way to Cline's
Corners when I stumbled upon your "quiet,
friendly
little town." I recognized
Wickler
in the saloon, and it's my
civic
duty to bring him in.
(directly
to Micah)
Or
yours.
MICAH
To
North Fork, Reverend Wilson's been
nothing
but a fine member of the
community.
He's helped a lot of people.
Wouldn't
sit well with anyone if we so
much
as questioned him.
MCCAIN
Even
assuming any of what you've said
is true.
PALADIN
I
can assure you... it's true.
MCCAIN
Wilson's
been a credit to North Fork,
ever
since we've known him.
(testing
Paladin)
A
man can always change his ways, can't
he?...
re-make himself? Redeem himself?
12.
PALADIN
That...
animal can never redeem himself.
And
just how long have you known him?
ANGLE ON MCCAIN AND MICAH
THEY LOOK at each other, casually QUIZZICAL.
MCCAIN
Six
months....
MICAH
Five
or six....
PALADIN
(with
derision)
Five
or six months. You think you can
know
a man like Wickler in half a year?
He's
as slippery as a salamander. How
do
you think he's avoided capture all
these
years?
MCCAIN
You
tell us.
PALADIN
(sighs,
but serious)
By
trading on the good graces of people
like
you.
MICAH
(two beats)
Got
anything else to say?
PALADIN
Just
one thing...
ANGLE ON PALADIN
PALADIN TURNS HIS BACK on the two men, MOVES HIS HANDS to his GUNBELT, extracts
and PALMS his DERRINGER.
PALADIN
(continuing,
over the shoulder)
...
how much longer are you going to
continue
this unlawful detention?
13.
ANGLE ON MCCAIN AND MICAH
THEY LOOK at each other, SHRUG and nod. MICAH GRABS a large
KEY-RING, MOVES OVER to PALADIN'S CELL and starts to UNLOCK it. PALADIN TURNS
around.
PALADIN
A
wise move.
The CELL DOOR SWINGS OPEN.
MICAH
I
don't know about that.
PALADIN OPENS HIS PALM, SHOWS THE DERRINGER.
PALADIN
I
do.
HE PUTS it BACK into HIS GUNBELT.
ANOTHER ANGLE
PALADIN STEPS OUT of the CELL, and MICAH CLOSES it. MCCAIN GIVES PALADIN HIS
GUN.
MCCAIN
You
need to ride out of town, mister.
PALADIN EXAMINES and HOLSTERS his GUN, then FACES the TWO MEN.
PALADIN
(to
Micah)
You
tarnish your badge, old man.
(to
McCain)
And
you need to pin one on.
PALADIN TURNS and STALKS OUT. MCAIN AND MICAH LOOK AT EACH OTHER for an INSTANT, then WALK toward the FRONT DOOR.
EXT. - STREET - DAY
As PALADIN STEPS OUT of the marshal's OFFICE, looks around and WALKS toward
the SALOON. Only now do WE SEE "NORTH FORK" and perhaps "NEW
MEXICO" on a storefront or two. MCCAIN AND MICAH STEP OUT of the
OFFICE soon after, and WATCH PALADIN.
ANOTHER ANGLE
PALADIN reaches the SALOON, THINKS ABOUT going inside, then CLIMBS UP on HIS
HORSE. HE turns the HORSE AROUND, HOLDS position.
14.
CLOSE ON PALADIN
HE GLARES sharply in the direction of the MARSHAL'S OFFICE.
POV SHOT - WHAT HE SEES - MCCAIN AND MICAH
As THEY LOOK equally SHARPLY at PALADIN.
BACK TO PALADIN
HE turns HIS HORSE and begins to TROT off, LEAVING North Fork via the SAME
ROUTE he initially entered.
MEDIUM-LONG SHOT - PALADIN ON HORSEBACK
As HE REACHES the EDGE of TOWN, HE SPOTS WILSON, who is STANDING in front
of the TELEGRAPH OFFICE, leaning against a railing.
CLOSE ON WILSON
EXPRESSIONLESS as always, or perhaps the BAREST HINT of a SMILE.
CLOSE ON PALADIN
SNEERING in DISGUST.
BACK TO LONG SHOT - PALADIN
HE WHIPS HIS HORSE with a hearty "HAH!" and RIDES OUT OF FRAME.
EXT. - OUTSKIRTS OF NORTH FORK - LONG SHOT
AS BEFORE, in the distance WE SEE the small BUILDINGS of North Fork just a
SHORT RIDE AWAY. PALADIN RIDES UP TOWARD US INTO THE FRAME, spins his HORSE
AROUND to get his bearings, then RIDES BACK TOWARD NORTH FORK, not along the
trail, but AT AN ANGLE, through the WOODS and BRUSH.
DISSOLVE TO:
EXT. - NORTH FORK LIVERY STABLE - DAY
It's somewhat ISOLATED, on the EDGE of TOWN. PALADIN RIDES UP and DISMOUNTS.
PALADIN turns his HORSE over to a teenaged STABLE BOY and FLIPS him a COIN.
ANGLE ON PALADIN
As HE WALKS along the STREET. A STAGECOACH is parked a short distance away,
being REPAIRED by its DRIVER. PALADIN MOSEYS over.
PALADIN
Need
some help?
DRIVER
Nah,
I can handle it.
15.
PALADIN
Careful
with that wheel-- looks like
it's
just about to slip.
The DRIVER NODS. PALADIN WALKS on.
CLOSE ON PALADIN - AS CAMERA GOES WITH HIM
HE HEARS the SOUND of CHILDREN behind him, SHOUTING PLAYFULLY on their WAY
HOME from SCHOOL. PALADIN SLOWS to a HALT and SMILES.
LONG SHOT - THE SCHOOLKIDS
About FOUR OR FIVE kids up the road, as they SCRAMBLE in Paladin's direction.
They're PLAYING with a BALL, and TOSS IT back and forth.
CLOSE SHOT - A BOY
As HE TOSSES the BALL toward a SECOND BOY.
ANGLE ON SECOND BOY - MEDIUM-LONG
HE FAILS TO CATCH it and RUNS AFTER IT.
ANOTHER ANGLE
The BALL has LANDED ADJACENT to the STAGECOACH. The SECOND BOY ARRIVES and
BENDS DOWN to retrieve the BALL.
ANGLE ON STAGECOACH - CLOSE
As the WHEEL Paladin referred to SLIPS OFF its AXLE, causing the STAGECOACH
to TIP OVER toward the SECOND BOY, WHO WILL BE CRUSHED.
ANOTHER ANGLE - MEDIUM
As PALADIN FLIES INTO THE FRAME, GRABS THE SECOND BOY, TUMBLES WITH HIM OUT
OF FRAME AS THE STAGECOACH TIPS OVER AND COMES CRASHING DOWN, RIGHT WHERE
THE BOY WAS STANDING.
ANGLE ON PALADIN AND BOY
PALADIN STANDS up, HELPS the SECOND BOY to HIS FEET. PALADIN BRUSHES HIMSELF
OFF a bit, then BRUSHES OFF the BOY.
PALADIN
You
all right, son?
CLOSE ON THE BOY
ONLY NOW DO WE SEE THAT THE SECOND BOY IS MARK MCCAIN, son of Lucas
McCain.
16.
MARK
I...
I think so.
(a
beat)
Ow!
TWO-SHOT - PALADIN AND MARK
PALADIN
Where
does it hurt?
MARK
My
ankle.... Thanks for saving my
life,
mister.
PALADIN
(smiles)
Do
you think you can walk on it?
MARK
I
can try.
ANOTHER ANGLE
MARK takes a STEP but HIS ANKLE COLLAPSES and MARK YELPS in PAIN. PALADIN
CATCHES HIM before he hits the ground.
PALADIN
Well,
I suppose I'll have to get a
buckboard
and take you home, son.
HE SCOOPS MARK UP in his arms and WALKS toward the LIVERY STABLE.
(continuing)
What's
your name?
MARK
Mark.
Mark McCain. Yours?
PALADIN
Paladin.
MARK
Paladin...
hmph! That's an interesting
name.
Can't say I ever heard it before.
Is
that your first name or your last name?
17.
ANOTHER ANGLE
PALADIN SENSES he's in for a LONG TRIP and MAKES A FACE.
PALADIN
Ah...
in which direction will we be
heading?
MARK
(points)
That
way.
PALADIN NODS.
MARK
(continuing)
So
where are you from, Mr. Paladin?
CAMERA PULLS BACK
As PALADIN continues WALKING TOWARD the STABLE. The other SCHOOLKIDS are MOVING
AWAY now and the DRIVER and some other ONLOOKERS are WORRYING OVER the STAGECOCH.
MARK
(continuing
non-stop)
What
brings you to North Fork...? Why
are
you all dressed in black...?
MARK'S VOICE FADES OUT as we...
DISSOLVE TO:
EXT. - MCCAIN RANCH - TWILIGHT - LONG SHOT
As PALADIN's BUCKBOARD PULLS UP to the FRONT DOOR, MARK SITTING next to him.
EXT. - MEDIUM SHOT - MCCAIN HOUSE
As PALADIN PARKS the BUCKBOARD, LIFTS MARK, CARRIES HIM to the DOOR, then
TURNS his body so that MARK can TURN the DOORKNOB and open the DOOR.
INT. - HOUSE - LIVING ROOM
As PALADIN ENTERS and PLACES MARK into a CHAIR. Having heard all the noise,
LUCAS MCCAIN ENTERS from an adjacent room.
MCCAIN
Mark!
MARK
Hi,
Paw, this is Mr.--
18.
MCCAIN GRABS HIS RIFLE.
MCCAIN
I
know who he is!
PALADIN
That
won't be necessary, McCain.
MARK
(confused)
Mr.
Paladin saved my life, Paw. Grabbed
me
right before a stagecoach fell on
top
of me.
MCCAIN
(a
beat)
Even
so... what's he doing here?
PALADIN
Your
son twisted his ankle and I brought
him
in on the buckboard out there.
MCCAIN
(to
Mark)
That
so, Mark?
MARK
(nods)
What's
wrong, Paw?
MCCAIN
I...
just didn't expect to see a
stranger
here, that's all.
MCCAIN cautiously PUTS DOWN HIS RIFLE, leaning it AGAINST the WALL in a FAR CORNER of the room.
MCCAIN
(continuing)
I
guess you can't do your chores with
that
ankle. Come on, I'll take you to
your
room and you can do your schoolwork.
MARK
But
Paw!
19.
MCCAIN
(to
Paladin, chilly)
I'll
be right back.
MCCAIN SCOOPS UP MARK and EXITS. PALADIN LOOKS AROUND a bit, FOCUSES on MCCAIN'S RIFLE.
ANGLE ON PALADIN
HE WALKS OVER to the RIFLE, BENDS DOWN, LOOKS WITHOUT TOUCHING.
CLOSE ON PALADIN AND RIFLE
HE'S INTRIGUED... after several beats, SUDDENLY MCCAIN'S HAND ENTERS FRAME
and PULLS the RIFLE AWAY from PALADIN.
ANOTHER ANGLE - PALADIN AND MCCAIN
PALADIN STANDS UP to face MCCAIN (obviously HAVING RETURNED to the living
ROOM), who HOLDS his RIFLE at the READY.
PALADIN
Interesting
modification to that
Winchester.
But I'd never raise
another
man's rifle without his
permission.
MCCAIN
(still
skeptical)
That's
a good policy.
PALADIN NODS.
MCCAIN
I
guess I should thank you for...
what
you did for Mark....
PALADIN
Anyone
could have done what I did.
I
just happened to be there. It was
pure
chance.
MCCAIN
That's
not how Mark tells it.
PALADIN
(a little
laugh)
Well,
your boy can tell a story. And
ask
questions. We had quite a conversation
on
the way here.
20.
MCCAIN
(can't help but laugh)
I
can't disagree with you there.
PALADIN
(matter-of-fact)
But
you can disagree with me about
Wickler.
MCCAIN
(turns
serious, a beat)
Why
don't you sit down?
PALADIN LOOKS AT MCCAIN'S RIFLE and then at MCCAIN. MCCAIN understands, PUTS DOWN the RIFLE. PALADIN SITS in a dining room chair, and so does MCCAIN-- THEY ARE SITTING AT THE TABLE ACROSS FROM EACH OTHER, still with some degree of TENSION.
MCCAIN
You
have to understand... Paladin...
Reverend
Wilson is a respected citizen.
It
almost wouldn't matter what he did
before
he came here. Even if he did
do
all the things you said during the
war--
I'm not sure it'd make any
difference now.
PALADIN
Well,
I do believe a man can change,
Mr.
McCain. But even if he does, can a
man
deny responsibility for his past?
Does
saying "I'm a different man now"--
or
even being a different man-- does
that
absolve him of the choices he's
made?
MCCAIN
(a
beat)
I
don't know if I can answer that.
Can
you?
PALADIN
When
a man burns human beings to death--
including innocent women and children--
isn't
the answer obvious?
MCCAIN
The
only proof he's guilty of that is
your
say-so. It's not enough.
21.
PALADIN
I
suppose it isn't....
MCCAIN
And
ask yourself this-- what
if
you're mistaken? What if Reverend
Wilson
just looks like the man on that
poster
you saw? Are you one hundred
percent
sure?
PALADIN
(a
beat, shakes head no)
But
I am very sure.
MCCAIN
That
good enough to take a man
at
gunpoint? To take him away from
his
home, his friends?
PALADIN
Justice
may be a harsh and imperfect
mistress,
but she must be served. I have
no
choice-- I must take him to the
federal
marshal in Santa Fe.
MCCAIN
He's
been a good minister, helped a
lot
of people. North Fork considers the
reverend
one of its own.
PALADIN
(unwavering)
I'll...
commiserate their loss.
MCCAIN
I've
got to warn you, Paladin--
you've
riled up the whole town. If
you
try to take him, they'll try to
stop
you.
PALADIN
Does
that include you, Mr. McCain?
Will
you try to stop me?
MCCAIN
(a
beat)
Because
of Mark... no. I owe you that.
There'll
be plenty of others, though.
And
Micah.
22.
PALADIN
That
would be... your town marshal.
MCCAIN NODS.
PALADIN
(continuing)
I
believe I owe him an apology. You,
too,
for that matter-- although you
would
make a good lawman.
ANGLE ON MCCAIN
Before he can reply, WE HEAR O.S. MARK'S VOICE:
MARK
Paw!
Is Mr. Paladin staying for dinner?
MCCAIN
(smiles,
moves head
in
Mark's direction)
That's
one reason why it wouldn't be
possible.
(loud,
to Mark)
I
don't think so, Mark!
WIDE ANGLE - PALADIN, MCCAIN AND DOORWAY TO MARK'S ROOM
PALADIN GETS UP to leave. MARK ENTERS, into the DOORWAY, his BAD ANKLE lightly
BANDAGED. HE STANDS THERE hobbling on ONE FOOT, supporting himself by HOLDING
on to the DOORFRAME.
MARK
But
Paw, Mr. Paladin promised to
tell
me stories about San Francisco!
Besides,
he must be hungry. And thirsty,
too.
MCCAIN
Sorry,
Mark, but Mr. Paladin has...
things
to do in town.
PALADIN
(smiles)
I
do believe those... things could
wait
until tomorrow.
MCCAIN LOOKS AT PALADIN, MARC, THEN PALADIN again.
23.
MCCAIN
Well,
if Mr. Paladin can stand my
cooking....
MARK
I'm
sure he can stand it. Er, I mean,
your
cooking's not so bad. I mean,
you're
a great cook, Paw!
PALADIN AND MCCAIN BURST OUT LAUGHING, as we...
DISSOLVE TO:
EXT - MCCAIN RANCH - FRONT PORCH - NIGHT
ANGLE ON PALADIN AND MCCAIN as they RELAX after dinner, SMOKING CIGARS. THEY
ARE MUCH MORE AT EASE WITH EACH OTHER.
PALADIN
That
was a fine meal, Mr. McCain.
MCCAIN
Thanks.
And it's "Lucas."
PALADIN NODS and SMILES.
MCCAIN
(continuing)
I
apologize for Mark's constant pestering
of
you.
PALADIN
Not
at all. A strong curiosity is natural
in
a boy his age.
MCCAIN
I
suppose it is.
PALADIN LOOKS UP AT THE NIGHT SKY.
PALADIN
You
can really see the stars out here.
MCCAIN
(looks
up, a beat)
I
wish you'd just let things be, Paladin.
PALADIN
(sighs)
So
do I, Lucas.
MCCAIN
(facing
Paladin)
Why
don't you sleep on it? We don't have
an extra bed, but you're welcome to bunk
in
the barn.
PALADIN
(facing
McCain)
Thank
you.
AGAIN HE LOOKS UP TOWARD the SKY.
24.
PALADIN
(continuing,
quoting)
"The
heavens may hold constant things,
but
who knows what tomorrow brings?"
MCCAIN
(two beats)
I
guess you're right. Who really knows?
FADE OUT.
END ACT II
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